My brother gave me a box of totems for Christmas. I strung most of them together with white crochet thread and hung them in my office and a few of the others are resting under my monitor and the last, a small white vertebrae picked clean by fish, is in the pocket of my winter jacket and it will live there until spring. He also gave me a story about collecting magic things that will one day be useful for stories.
Already it has started working. I found the monsters in my novel riddled with wood-beetle holes worn smooth like the driftwood lung that is hanging behind me, and they are made of void-stuff now, like the physical manifestation of dementia, because that is what scares me most and couldn’t bear to write a monster that doesn’t scare me.
I am afraid of many things, but I am more inclined to identify with fictional monsters than I am to fear them. Monsters are too human now. And the unknown is an unreliable source of fear because I faithfully believe in the spirit of inquiry and its endless capacity to carry us forward. What scares me are the Hattivatti and the Grokes. The familiar entities appear consistently, reliably, and are impossible to understand because their very nature is antithetical to humanity.

Moomintroll encounters the Groke. -Tove Jansson
It is remarkable that a box of totems that my brother collected have already taken hold in my fiction. I carry a totem to have a focus when my head is out of sorts; it is an object to keep me in the world. But these have me in another. I like it. This was a very good gift. It makes me wonder what sort of power in a totem comes from the person who discovers it, and how that is passed on.
The story my brother wrote had me as a witch who could turn to sand and grass and sit by the side of the sea until cities were built atop my head and that was very kind of him. I am completely human but when I write I do feel like an old sea witch. Sometimes I think I have to be. I am not strong enough as a human to make new worlds.
I drew a map the other day and when I finished I wanted so badly to draw what was happening in every room of every building, and then became exhausted by the very thought.
Happy New Year.